An artistic-activist practice first
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
The deliberate use of ambiguous,
confusing, or misleading information to
disable surveillance, data collection, and
the infiltration of digital power mecha-
nisms, including evasion, noncompliance,
refusal, and agonistic tactics such as
information overload, sabotage,
and deception.
confusing, or misleading information to
disable surveillance, data collection, and
the infiltration of digital power mecha-
nisms, including evasion, noncompliance,
refusal, and agonistic tactics such as
information overload, sabotage,
and deception.
Physical or metaphysical
boundlessness. The unlimited number of
stars in the universe. The endless sequence
of counting numbers. The unknowability of
all possible thoughts. A boundlessness that
cannot be expressed, only reflected
in a finite thing or being.
boundlessness. The unlimited number of
stars in the universe. The endless sequence
of counting numbers. The unknowability of
all possible thoughts. A boundlessness that
cannot be expressed, only reflected
in a finite thing or being.
The act of turning, or
a condition of being turned
backwards. A spontaneous or
intentional repositioning of a piece of
information, artefact, theory or version
of history in order to radically change
its meaning or trajectory.
a condition of being turned
backwards. A spontaneous or
intentional repositioning of a piece of
information, artefact, theory or version
of history in order to radically change
its meaning or trajectory.
Anarchive
An ephemeral repository without centrally organised memory.
Resists fixing data in favour of informational iteration, and the interplay
of remembering and forgetting. The Indeterminacy Anarchive is a constellation
of contemporary artistic practices that engage with key tenets of indeterminacy, either
thematically, or formally. It relies on randomised forms of retrieval. When you
click on ‘anarchive,’ in the website menu, a randomised selection of
terms appear. When you click on one of these terms, one
of the possible connections appears. All paths are local.
There is no meta-view. No point from which
the totality of the anarchive
can be surveyed.
A fragment of scored reality. A
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
Observable or
unobservable things. Putative
facts about a difference in the fabric
of reality, or a lack of uniformity,
used as a basis for reasoning,
comparison, calculation,
poetry, or art.
unobservable things. Putative
facts about a difference in the fabric
of reality, or a lack of uniformity,
used as a basis for reasoning,
comparison, calculation,
poetry, or art.
A spontaneous
or purposeful re-
-combination of discrete
biological traits, entities, and/
or social structures that previously
existed separately. The process
of generating new
modes of being.
or purposeful re-
-combination of discrete
biological traits, entities, and/
or social structures that previously
existed separately. The process
of generating new
modes of being.
A lived environment with physical
factors, such as space, soil, and light,
with biotic factors, such as food, and with
geographical factors, such as climate. Habitats endure. They change drasti-
cally only as a result of violent events,
like earthquakes, or the invasion
of an alien species.
factors, such as space, soil, and light,
with biotic factors, such as food, and with
geographical factors, such as climate. Habitats endure. They change drasti-
cally only as a result of violent events,
like earthquakes, or the invasion
of an alien species.
A temporary, accidental
or intentional error, fault, or
aberration in a system, practiced
by artists and activists to disrupt,
subvert, bend, camouflage,
or destroy data.
or intentional error, fault, or
aberration in a system, practiced
by artists and activists to disrupt,
subvert, bend, camouflage,
or destroy data.