Usually seen as the
quantification of attributes
of a pre-existing object or event.
As measurement always relies on tools,
apparatuses, human and machinic
agents, measuring devices also
create the object or event
being measured.
quantification of attributes
of a pre-existing object or event.
As measurement always relies on tools,
apparatuses, human and machinic
agents, measuring devices also
create the object or event
being measured.
A fragment of scored reality. A
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
The capacity to act inter-
dependently with other factors and
networks. A temporally embedded pro-
cess of iteration, understood as a selective
reactivation of past patterns of action,
& projection, understood as a sensing
or calculation of possible
future trajectories.
dependently with other factors and
networks. A temporally embedded pro-
cess of iteration, understood as a selective
reactivation of past patterns of action,
& projection, understood as a sensing
or calculation of possible
future trajectories.
A technique for rapid
passage through varied ambiances,
first practiced by the Situationists Inter-
national. In la dérive, all habitual motifs
for movement are suspended. Human
‘derivists’ respond to the spontaneities of
the terrain. Objects are carried across
space & time, by the wind, currents,
humans, or machines.
passage through varied ambiances,
first practiced by the Situationists Inter-
national. In la dérive, all habitual motifs
for movement are suspended. Human
‘derivists’ respond to the spontaneities of
the terrain. Objects are carried across
space & time, by the wind, currents,
humans, or machines.
Anarchive
An ephemeral repository without centrally organised memory.
Resists fixing data in favour of informational iteration, and the interplay
of remembering and forgetting. The Indeterminacy Anarchive is a constellation
of contemporary artistic practices that engage with key tenets of indeterminacy, either
thematically, or formally. It relies on randomised forms of retrieval. When you
click on ‘anarchive,’ in the website menu, a randomised selection of
terms appear. When you click on one of these terms, one
of the possible connections appears. All paths are local.
There is no meta-view. No point from which
the totality of the anarchive
can be surveyed.
Techniques that open up
The artistic process to unpredictability,
Such as dice throwing, I Ching (the Chinese
Book of Changes), or computer programs.
Chance operations are usually traced to the
early 20-century avant-garde, such as
Dadaism and Surrealism, or the neo-
avant-garde, such as John Cage.
The artistic process to unpredictability,
Such as dice throwing, I Ching (the Chinese
Book of Changes), or computer programs.
Chance operations are usually traced to the
early 20-century avant-garde, such as
Dadaism and Surrealism, or the neo-
avant-garde, such as John Cage.
A scale of gendered being
created through cultural practices,
language, and social reinforcement
or – a reaction against it. The performance
of gendered behaviour, in gesture, action,
& speech. A refashioning, or surgical
modification of the body.
created through cultural practices,
language, and social reinforcement
or – a reaction against it. The performance
of gendered behaviour, in gesture, action,
& speech. A refashioning, or surgical
modification of the body.
A fusion of
haunting and ontology.
The persistent lingering of shapes,
forms, motifs, tropes, habits, practices
and/or power relations, beyond death or
obsolescence. The inerasable trace
of the past in the present.
haunting and ontology.
The persistent lingering of shapes,
forms, motifs, tropes, habits, practices
and/or power relations, beyond death or
obsolescence. The inerasable trace
of the past in the present.
A set of dispositions
or ‘codings’ for reactivation
in human, animal, plant, mineral,
geospatial, and artificial systems.
Discrete memories cannot be reduced
to a place, object, medium, or practice.
They are always in the process
of being over-written,
changed, or erased.
or ‘codings’ for reactivation
in human, animal, plant, mineral,
geospatial, and artificial systems.
Discrete memories cannot be reduced
to a place, object, medium, or practice.
They are always in the process
of being over-written,
changed, or erased.
The capacity of materials
& living organisms to achieve
structural changes. In materials,
plasticity is the capacity for being
moulded. In organisms, it is the ability
to respond to the environment. In
nervous systems, it is the capacity
to adapt in response to
experience or injury.
& living organisms to achieve
structural changes. In materials,
plasticity is the capacity for being
moulded. In organisms, it is the ability
to respond to the environment. In
nervous systems, it is the capacity
to adapt in response to
experience or injury.