A sense of having
a ‘subject body’ and an
‘object body’, usually described
as ‘the body we are’ and ‘the body we
have’. Both are shaped by visceral
perception, virtual and physical
lifeworlds, individual and
collective imagination.
a ‘subject body’ and an
‘object body’, usually described
as ‘the body we are’ and ‘the body we
have’. Both are shaped by visceral
perception, virtual and physical
lifeworlds, individual and
collective imagination.
A set of dispositions
or ‘codings’ for reactivation
in human, animal, plant, mineral,
geospatial, and artificial systems.
Discrete memories cannot be reduced
to a place, object, medium, or practice.
They are always in the process
of being over-written,
changed, or erased.
or ‘codings’ for reactivation
in human, animal, plant, mineral,
geospatial, and artificial systems.
Discrete memories cannot be reduced
to a place, object, medium, or practice.
They are always in the process
of being over-written,
changed, or erased.
A temporary, accidental
or intentional error, fault, or
aberration in a system, practiced
by artists and activists to disrupt,
subvert, bend, camouflage,
or destroy data.
or intentional error, fault, or
aberration in a system, practiced
by artists and activists to disrupt,
subvert, bend, camouflage,
or destroy data.
The fundamental constituent
of the universe. Energy-matter’s
cycles of concentration and dissipation
are usually seen as separate. Energy is
seen as transformation. Matter is seen
as consisting of particles or
waves. In reality, they
are a continuum.
of the universe. Energy-matter’s
cycles of concentration and dissipation
are usually seen as separate. Energy is
seen as transformation. Matter is seen
as consisting of particles or
waves. In reality, they
are a continuum.
Anarchive
An ephemeral repository without centrally organised memory.
Resists fixing data in favour of informational iteration, and the interplay
of remembering and forgetting. The Indeterminacy Anarchive is a constellation
of contemporary artistic practices that engage with key tenets of indeterminacy, either
thematically, or formally. It relies on randomised forms of retrieval. When you
click on ‘anarchive,’ in the website menu, a randomised selection of
terms appear. When you click on one of these terms, one
of the possible connections appears. All paths are local.
There is no meta-view. No point from which
the totality of the anarchive
can be surveyed.
A technique for rapid
passage through varied ambiances,
first practiced by the Situationists Inter-
national. In la dérive, all habitual motifs
for movement are suspended. Human
‘derivists’ respond to the spontaneities of
the terrain. Objects are carried across
space & time, by the wind, currents,
humans, or machines.
passage through varied ambiances,
first practiced by the Situationists Inter-
national. In la dérive, all habitual motifs
for movement are suspended. Human
‘derivists’ respond to the spontaneities of
the terrain. Objects are carried across
space & time, by the wind, currents,
humans, or machines.
A lived environment with physical
factors, such as space, soil, and light,
with biotic factors, such as food, and with
geographical factors, such as climate. Habitats endure. They change drasti-
cally only as a result of violent events,
like earthquakes, or the invasion
of an alien species.
factors, such as space, soil, and light,
with biotic factors, such as food, and with
geographical factors, such as climate. Habitats endure. They change drasti-
cally only as a result of violent events,
like earthquakes, or the invasion
of an alien species.
Purposefully created
or programmed musical and
computer processes that trace the
temporal evolution of random variables
indexed by some set, and their
changing relationships
over time.
or programmed musical and
computer processes that trace the
temporal evolution of random variables
indexed by some set, and their
changing relationships
over time.
An artistic-activist practice first
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
A fusion of
haunting and ontology.
The persistent lingering of shapes,
forms, motifs, tropes, habits, practices
and/or power relations, beyond death or
obsolescence. The inerasable trace
of the past in the present.
haunting and ontology.
The persistent lingering of shapes,
forms, motifs, tropes, habits, practices
and/or power relations, beyond death or
obsolescence. The inerasable trace
of the past in the present.