is Professor of Contemporary Art and Theory at the University of Dundee and AHRC 2020-21 Fellow. Her research is interdisciplinary and focuses on intermedia; biopolitics and performativity; the status of sensory experience in cultural knowledge; hegemony; and, more recently, disorder and complexity. She is the recipient of numerous fellowships such as Fulbright, Steim and ArtsLink. Her books include Fluxus: the Practice of Non-Duality (2014); Interdisciplinary Performance (2016); The Aesthetics of Necropolitics (2018), Big Data: A New Medium? (forthcoming 2020), and Beyond Mind, a special issue of Symbolism (2019). Natasha’s recent writing has also appeared in Contemporary Aesthetics; Environment, Space, Place; Media Theory; Journal of Somaesthetics; Performance Research; TDR and The Philosophical Salon, among other journals.
is researcher and Media Archivist on the Indeterminacy project, and, more broadly, within the Duncan of Jordanstone College of Art and Design. He is a leading specialist in the conservation, preservation and restoration of artists’ video. Lockhart has worked on various research projects including REWIND| Artists’ Video in the 70s & 80s, Narrative Exploration in Expanded Cinema with Central St Martins College of Art & Design, REWIND Italia, European Women’s Video Art and the Demarco Digital Archive. He has acted as curator, co-curator and consultant for many screenings and exhibitions at organisations such as Tate Modern, Tate Britain, BFI Southbank, Dundee Contemporary Arts, Scottish National Galleries of Modern Art, Stills Edinburgh, Streetlevel Photoworks Glasgow, DOCVA in Milan and Shanghai Minsheng Art Musuem. He is also a musician and media artist.