Cécile Malaspina is directeur de programme at the College International de Philosophie, Paris, and visiting research fellow at King’s College London, where she is running an open access research seminar An Aesthetics of Noise, hosted by the departments of French and Digital Humanities. She is the author of An Epistemology of Noise (Bloomsbury, 2018) and principal translator, with the collaboration of John Rogove, of Gilbert Simondon, On the Mode of Existence of Technical Objects (Univocal Publishing / Minnesota University Press, 2017).

Please note, this interview is low tech. It was recorded during Covid19 lockdown.