The act of turning, or
a condition of being turned
backwards. A spontaneous or
intentional repositioning of a piece of
information, artefact, theory or version
of history in order to radically change
its meaning or trajectory.
a condition of being turned
backwards. A spontaneous or
intentional repositioning of a piece of
information, artefact, theory or version
of history in order to radically change
its meaning or trajectory.
The process of altering the forms
or social significance of existing media.
A re-purposing, re-fashioning, or migration
of objects of knowledge from one sphere
to another. A way to re-materialise exper-
ience in different systems of value –
aesthetic, social, cultural,
and political.
or social significance of existing media.
A re-purposing, re-fashioning, or migration
of objects of knowledge from one sphere
to another. A way to re-materialise exper-
ience in different systems of value –
aesthetic, social, cultural,
and political.
An artistic-activist practice first
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
developed by the Situationists Interna-
tional in the 1950s. Détournement uses
appropriation, deflection, and rerouting to
produce politically educative work. It re-
structures and/or fuses existing works and
cultural tropes. More recent forms of
détournement are also called
culture jamming.
A fragment of scored reality. A
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
four-dimensional perceptual ready-
made first practiced by the Fluxus artists
in the 1960s. The event score resembles a
musical score, only instead of music, it
scores events. It usually takes the form
of a verbal pictogram or per-
formance instruction.
Anarchive
An ephemeral repository without centrally organised memory.
Resists fixing data in favour of informational iteration, and the interplay
of remembering and forgetting. The Indeterminacy Anarchive is a constellation
of contemporary artistic practices that engage with key tenets of indeterminacy, either
thematically, or formally. It relies on randomised forms of retrieval. When you
click on ‘anarchive,’ in the website menu, a randomised selection of
terms appear. When you click on one of these terms, one
of the possible connections appears. All paths are local.
There is no meta-view. No point from which
the totality of the anarchive
can be surveyed.
A spontaneous
or purposeful re-
-combination of discrete
biological traits, entities, and/
or social structures that previously
existed separately. The process
of generating new
modes of being.
or purposeful re-
-combination of discrete
biological traits, entities, and/
or social structures that previously
existed separately. The process
of generating new
modes of being.
Physical or metaphysical
boundlessness. The unlimited number of
stars in the universe. The endless sequence
of counting numbers. The unknowability of
all possible thoughts. A boundlessness that
cannot be expressed, only reflected
in a finite thing or being.
boundlessness. The unlimited number of
stars in the universe. The endless sequence
of counting numbers. The unknowability of
all possible thoughts. A boundlessness that
cannot be expressed, only reflected
in a finite thing or being.
The fundamental constituent
of the universe. Energy-matter’s
cycles of concentration and dissipation
are usually seen as separate. Energy is
seen as transformation. Matter is seen
as consisting of particles or
waves. In reality, they
are a continuum.
of the universe. Energy-matter’s
cycles of concentration and dissipation
are usually seen as separate. Energy is
seen as transformation. Matter is seen
as consisting of particles or
waves. In reality, they
are a continuum.
Purposefully created
or programmed musical and
computer processes that trace the
temporal evolution of random variables
indexed by some set, and their
changing relationships
over time.
or programmed musical and
computer processes that trace the
temporal evolution of random variables
indexed by some set, and their
changing relationships
over time.
The expressive activity of
all things, beings, and phenomena.
A process of perpetual change, that
includes physical, psychological, lived,
phenomenal, deep, and thick time.
A flux of qualitative change
permanently pregnant with
creative potential
all things, beings, and phenomena.
A process of perpetual change, that
includes physical, psychological, lived,
phenomenal, deep, and thick time.
A flux of qualitative change
permanently pregnant with
creative potential