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Home » Smooth the Pillow for the Dying Race

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Cat Hope

Smooth the Pillow for the Dying Race

2015

Hope Pillow Sm
Courtesy of the artist.
To quell the violence on the frontiers of early Australia, to reduce devastation by disease and to provide Aborigines with a ‘humane’ environment while their race died out, colonial governments introduced systems of ‘protective’ legislation. The first was in 1860 in South Australia, where a Chief Protector was appointed to ‘smooth the dying pillow’. By designating territory for Aborigines, it was hoped that the conflict between settlers and Aborigines would stop, and that Aborigines would use the settlement land to farm and become self-sufficient, thus improving their ‘destitute’ state. This piece features text in the background that has been taken from documents in the National Library of Australia. To perform this work, you can use the video as the score. Each player is assigned a colour. A smooth flat line indicates a soft dynamic, and the widening of the line means getting louder. Use a bow to play the cymbal and try as where possible to make the bow change inaudible. A ‘dot’ at the end or start of a line means to articulate the start or end in some strong way, if there is no dot you should ease in at the start and let the cymbal ring out at the end. Floating ‘dots’ are soft cymbal strikes that can ring out. These can be on the cymbals being bowed, or on others – crotales or any other type of ‘cymbal like’ instrument.
Tell me more: https://www.cathope.com/compositions
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  • Daniel C Howe
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  • Marina Hulzenga
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  • Natalie Jeremijenko
  • Mária Júdová
  • Eduardo Kac
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  • Teresa Margolles
  • Nancy Mauro-Flude
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  • Nathalie Miebach
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  • Helen Nissenbaum
  • Roman Ondak
  • Yoko Ono
  • Mimi Ọnụọha
  • Damián Ortega
  • Patricia Piccinini
  • Jo Pollitt
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  • Ioanat Zurr
  • Bas Jan Ader
  • Memo Akten
  • Jane Alexander
  • Mark Amerika
  • Sadie Barnette
  • Æsa Björk
  • Zach Blas
  • Blast Theory
  • Mel Bochner
  • Andrej Boleslavský
  • George Brecht
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  • Harun Farocki
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  • Masaki Fujihata
  • Snow Yunxue Fu
  • Ellie Ga
  • Yishay Garbasz
  • Bjarni Gunnarsson
  • Matthew Angelo Harrison
  • Camille Henrot
  • Lyn Hershman Leeson
  • Roger Hiorns
  • Thomas Hirschhorn
  • Tzu Nyen Ho
  • Cat Hope
  • Daniel C Howe
  • Tehching Hsieh
  • Marina Hulzenga
  • Pierre Huyghe
  • Natalie Jeremijenko
  • Mária Júdová
  • Eduardo Kac
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  • Damián Ortega
  • Patricia Piccinini
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  • Devon Ward
  • Tom White
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  • Iannis Xenakis
  • The Yes Men
  • Mushon Zer-Aviv
  • Ioanat Zurr
  • Bas Jan Ader
  • Memo Akten
  • Jane Alexander
  • Mark Amerika
  • Sadie Barnette
  • Æsa Björk
  • Zach Blas
  • Blast Theory
  • Mel Bochner
  • Andrej Boleslavský
  • George Brecht
  • John Cage
  • Cassils
  • Micha Cárdenas
  • Jon Cates
  • Oron Catts
  • Jake & Dinos Chapman
  • Yasuhiro Chida
  • Paolo Cirio
  • Critical Zoologists
  • Marcus Coates
  • Critical Zoologists
  • Debbie Ding
  • Hasan Elahi
  • Harun Farocki
  • Ken Friedman
  • Masaki Fujihata
  • Snow Yunxue Fu
  • Ellie Ga
  • Yishay Garbasz
  • Bjarni Gunnarsson
  • Matthew Angelo Harrison
  • Camille Henrot
  • Lyn Hershman Leeson
  • Roger Hiorns
  • Thomas Hirschhorn
  • Tzu Nyen Ho
  • Cat Hope
  • Daniel C Howe
  • Tehching Hsieh
  • Marina Hulzenga
  • Pierre Huyghe
  • Natalie Jeremijenko
  • Mária Júdová
  • Eduardo Kac
  • Knowbotic Research
  • Alison Knowles
  • Teresa Margolles
  • Nancy Mauro-Flude
  • Rosa Menkman
  • Nathalie Miebach
  • Kent Monkman
  • Warren Neidich
  • Helen Nissenbaum
  • Roman Ondak
  • Yoko Ono
  • Mimi Ọnụọha
  • Damián Ortega
  • Patricia Piccinini
  • Jo Pollitt
  • Anna Ridler
  • Jon Satrom
  • Kuai Shen
  • Nina Sellars
  • Paul Sermon
  • Maja Smrekar
  • Stelarc
  • Thomas Thwaites
  • Troika
  • Adejoke Tugbiyele
  • Camille Utterback
  • Pablo Valbuena
  • Devon Ward
  • Tom White
  • Chris Woebken
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Duncan of Jordanstone College of Art & Design

University of Dundee
Dundee
DD1 4HT
UK
indeterminacy@dundee.ac.uk

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